The Barryfest Chronicles

Before attending their concert at the House of Blues on Saturday, I was about as familiar with Better Than Ezra as are most people of my age.  Prior to the show, my interaction the New Orleans-based power trio was pretty much limited to the presence of “Good” on the 1990s one-hit wonders playlist a friend and I created during college.

Before I go any further, let it be know that this not an indictment.  We queued up this “Remember the 90s?” playlist every chance we got, and I still find a good excuse to listen to it at least once a month.  And this is not part of some semi-ironic hipster-doofus creem dream, my friends.  If you catch me drinking a High Life while grooving on “Standing Outside a Broken Phone Booth (With Money In My Hand),” it is because I non-satirically enjoy both the Champagne of beers as well as Primitive Radio Gods’ most well know contribution to popular music.

While I don’t have much to say about the bands of varying musical inclination that showed up just long enough to drop these gems on the world before they went back to doing whatever it was they did before their heady, two-month amble around late night talk show stages and alternative radio stations, I’ll defend the brilliance of these chart-toppers until my last breath.  Give me “Save Tonight” or give me death.

But as far as seeking out any of these artists when they hit the road? C’mon.  “Good” is a fantastic song, but is it any better than “Pepper” or “Flagpole Sitta” or “Counting Blue Cars”?  No one can really say for sure.  So for me, that puts Better Than Ezra in about the same class as The Butthole Surfers, Harvey Danger, and Dishwalla: pretty much off my radar at almost all instances that I am not listening to their most well known songs during a leisurely game of caps or on the first leg of a road trip.

Even if I was the least bit curious, why would I want to ruin any of these masterpieces by doing something foolish like putting them in the context of a full album or live performance?  That’s a high risk, high reward endeavor I never planned to undertake.

But as I have learned pretty much everyday since I got down here, few things go as planned in Big Easy.  New Orleanians my age love Better Than Ezra.  I’m talking “I have their demo EP on bootleg cassette” love.  I’m talking “I’ve seen them about 13 times” love.  I’m talking “Fuck Endymion, let’s I’m going to the BTE show at House of Blues” love. (And, yes, I’m talking “I affectionately refer to the band by a moniker” love).

With that in mind, I joined a large group of natives at the House of Blues on Saturday for Better Than Ezra’s annual Mardi Gras swoop through the Crescent City.  And you know what?  The put on an awesome show for a raucous crowd in an incredible venue.  I still think they fit the classical definition of a “one-hit wonder,” but I realized that their one-hit was not just some sort of concession they were willing to offer in exchange for a moment in the sun.  As I found out over the course of the night, “Good”  was one of a long line of upbeat, accessible rockers that have kept the band going strong for over two decades, the only difference is that it was released as a single at the exact time it happened to perfectly capture the zeitgeist of the moment.

Better Than Ezra came off as a group upon which MTV and popular radio stumbled, not the other way around.  Because unlike most of the other catchy tunes from the one-and-done groups I listened to in middle school, the song that sent this group into the stratosphere was pretty similar to the rest of their material, not a blatant attempt to make their sound more radio-ready.  I realize this is just a veiled way of saying that all their fucking songs sound exactly the same, but their consistency is admirable, even if it comes at the expense of diversity.

I don’t know about you, but I’d much rather listen to 12 different variations on “Good” – a specimen to say the least – than sift through 90 minutes of post-grunge schlock-rock in a dingy club waiting impatiently for the Screaming Trees to launch into a spirited rendition of “Nearly Lost You,” a song that was their only hit because it is the only thing in their entire cannon that is actually tolerable.  And I am sure some of the poor, uninitiated schmucks that got roped into a Blind Melon show during “No Rain” hysteria didn’t much care to watch Shannon Hoon warble around the stage in a heroin-induced stupor as wave after wave of heavy distortion and feedback rang their fucking bells when they expected a short set of mid-tempo toe-tappers performed by mandolin-wielding long-hairs and fat chicks in bumblebee costumes.

I will stop myself before this devolves into a missive on the relative artistic integrity and relative importance of every band to be featured on a Buzz Ballads compilation, because as I said before, taking too close a look at any of this is a zero sum game at best. I’ll just say this:  Better Than Ezra game me exactly what I hoped for but had plenty of reason not to expect all.  And it was good.

Happy Mardi Gras, everyone.

I’ve had a dog in the fight for four of the last six Super Bowls.  I know there are scores of people out there that would give any number of appendages or offspring to see their favorite NFL team play in a Super Bowl let alone have the luxury of a semi-legitimate reason to root for teams from both Chicago and Boston, but I want to assure you it is not all hand-pounds and reacharounds.

At the risk of sounding like a total ingrate, I think it is worth pointing out that there are actually a few negatives of having more than a passing interest in the outcome of The Big Game:

You have to sweat the small stuff. Anytime that any of my favorite teams in any major sport are involved in a game of any sort or significance, I spend most of the day worrying about how crowded the bar is going to be, or how big of a television my friend has, or whether or not I bought enough booze, etc.  I am growing increasingly neurotic as I get older, so if you combine that nervous energy with any doubts about the actual outcome of the game in question, I am pretty much whipped by the time live coverage starts.

This year, I spent Sunday evening alternately squished on an uncomfortable couch, perched on an armrest and leaning against a doorjamb.  For some reason the game was tuned to the standard-definition feed for the entire first quarter, and even after that problem was rectified, my view was partially obstructed as a result of my bad posture and one of my friend’s huge noggin.  Additionally, there was no room in the refrigerator for the 12-pack of High Life I brought so by about 7:30 I was drinking tepid beer.  But you know what?  I couldn’t care less.

Regardless of the outcome, Monday morning is going to suck. Super Bowl XXXIX fell exactly on my 21st birthday so my friends were gracious enough to organize an enormous viewing party/birthday celebration ostensibly somewhat on my behalf.  Dozens of my closest acquaintances filed in to a cozy off campus apartment and took part in cold beer, Buffalo Joe’s, and a football shaped birthday cake.

I am sure I would have really enjoyed the shindig if I wasn’t boxing out the keg in the corner of the room with the only other Patriots fan in attendance, nervously pounding chicken wings, Camel Lights and pitchers of keg draft at a superhuman clip because I was too locked into the game to enter into any meaningful interpersonal interactions but needed to do something with my piehole to cut the tension.

By the start of the third quarter I was nearly blacked out and had no voice after going apeshit during Paul McCartney’s rendition of “Hey Jude” and, after the game had ending with the Patriots on top, I proceeded to stretch my drunk into the wee hours of the morning celebrating many happy returns.  Even through the sheen of a Super Bowl victory, thought, the heartburn and hangover made Monday morning pretty hard to endure.

I spent the first few hours of last year’s Super Bowl XLII in a similar way.  Although I was in a bar in New Orleans as opposed to an apartment in Evanston and I was pounding Abita Amber instead of Miller Light, all the important details are the same:  the other Patriot fans and I were glued to the set, stuffing our faces with greasy food, soaking ourselves in booze and chain smoking heaters.  When it was all said and done, I still drank until the wee hours of the morning, but this time it was in commiseration, not celebration.  Suffice it to say, Monday morning was rough.

This year I cut myself off before the fourth quarter and made it back home in time for the outrageous hour-long episode of The Office, which I watched perfectly buzzed and from the comfort of my bed.  I still felt like shit on Monday morning, but then again, I always feel like shit on Monday morning.

Gambling loses all its fun. Between pool squares, strip tabs, mulit-spot props and side bets, Super Bowl Sunday is best day for gambling ever.  It is kind of a shame to have such a huge focus on the final score that you are are forced to ignore the outcomes of the dozens of other wagers you may have placed, ranging from the length of the national anthem performance to how the NFC teams’s score compares to LeBron James’ point total from that afternoon’s NBA action.  I mean, how much consolation is hitting the halftime square if your hometown team is on the receiving end of a shellacking?  And what good is winning $100 on the coin toss if you end the night with a tally in the loss column?

As of late, my proclivity towards gambling has been inching closer and closer to “degenerate” territory, so I was pretty excited by the prospect of indiscriminately laying money on any number of lines without even a second thought about how may illicit activities may interfere with the cosmos or tip the karmic scales.

Good luck finding The Rusty Nail on your first attempt.  Seriously.  This place is less than a five minutes from my apartment and it took me at least ten tries over my first six months down here before I successfully made it there when I actually looking for it, as opposed to the few times I did actually stumble upon it during daylight hours when I was still learning how to navigate the narrow, pothole-littered streets of the Warehouse District and subsequently forgot it’s location by the next evening when I was looking to check out it’s capacity for partying.

It is literally located on the wrong side of a dead end street that is hidden under an overpass.  Its signage faces the opposite direction traffic would travel if the one way block on which it sits was not closed for road construction (which it has been at least as long as I’ve lived in New Orleans). Read the rest of this entry »

There we were, taking the gritty-as-shit alternate route to Louis Armstrong Airport – forgoing the interstate, with its road construction and rush hour induced bottleneck circa the Causeway Blvd. exit, in favor of the scenic drive through the blocks of shotgun houses and tire shops in Hollygrove and then past the endless row of seedy motels on Airline Highway – when I had my second favorable encounter with the nefarious group of “musicians” know as Coldplay.

The first time I listened to this band with a smile on my face was over three years ago in East Troy, Wisconsin.  A variety of factors, not one of which even remotely having to do with the band itself, led me to purchase a ticket to see England’s softest rockers at Alpine Valley Music Theater during the waning days of the summer before my senior year of college.  And through another set of circumstances, again completely unrelated to the group of hacks crooning sweet nothings into the cool August air, I was breaking out into fits of hysterical ecstasy towards the end of the first set. Read the rest of this entry »

Dear Sarah,

It wasn’t too long ago I declared war on you and the types of people that subscribe to your irritating brand of anti-intellectual populism.  See, after your reprehensible campaign antics spiked the enthusiasm already cursing through my veins with a toxic dose of vitriol, I went from simply supporting Barack Obama and his message of change to promising not to let any misinformed comment made by your uneducated, bigoted, racist followers go unchecked, regardless of the context or situation.  I was angry, and I was letting everyone know it.

But not only was I locking political horns with every Republican I could find, I also started flying off the handle in unrelated situations.  I was yelling at my neighbors when they asked me to turn down the Chromeo, and shattering empty High Life bottles on the sidewalk outside of Pat Fannie’s because they don’t allow indoor heaters.  You got me riled up, Sarah.  And my aggression was unfortunately extending beyond mere political discourse.

This type of militant liberalism and general douchebaggery was exhausting, for sure.  But ever since that Tuesday night when staffers banned you from the podium as John McCain was graciously conceding defeat in the presidential election, my blood has calmed. Read the rest of this entry »

Even though I like to think of myself as a wise music connoisseur with eclectic taste, I have been pretty closed minded about “new music” for the better part of my adult life.  With the exception of Wilco, Lil’ Wayne, and Prince, I only regularly listened to music that was made before I was born.  I wouldn’t call it a rule, it was just an ethos that was pretty effective at keeping my CD collection and iPod full of rocking tuneskis for all these years.

It stands to figure that the music that was created for the 50,000 years before I existed deserves more attention than what has been put on wax since the year of our lord 1984.  I mean, even a great band like Talking Heads hit their creative peak by 1983 with Speaking in Tongues, so I figured the arbitrary, unofficial policy that governed my music consumption was firm but fair.

Sure, I was a big Sublime fan in middle school, went through a solid rap phase in high school and painstakingly assembled playlists filled with one hit wonders from the 80s and 90s during college; but even during these flights of fancy, when I was looking for a new fix, I thought I would be better served by digging into T.Rex’s canon than by picking up the new Snow Patrol album. Read the rest of this entry »

A few blocks from my apartment, nestled on a slightly overgrown corner on the one-way stretch of Magazine, you will find The Bridge Lounge. It is one of many hidden treasures I have found here in New Orleans since I arrived six months ago.

What makes this bar so great? Let’s see. They do not serve any food at any time of the day. And they do not have a single television screen anywhere in the bar. These are normally two big strikes AGAINST a drinking establishment in my book.

And the joint also lacks a jukebox. Instead, one of the bartenders just hooks up his iPod to the bar’s sound system and lets it rip. Strike three, right? Wrong. This actually where is all starts to come together and make sense. You see, last Saturday the dudes manning the taps and the tunes played Chocolate and Cheese in it’s entirety. No joke. They played a full Ween album for a diverse crowd on a Saturday night.

The place is just off the beaten path and looks pretty shitty from the outside. And considering the fact it lacks may of things meant to attract casual passers-by – drink specials, late night food, 10 screens of NFL Sunday Ticket, for example – it should come as no surprise that the proprietors see nothing wrong with blasting Ween on a Saturday night. And that is why it is so fucking sweet. Outside of a GLBT biker bar, this place is as take-it-or-leave-it as you can get. And if you do choose to “leave it”, no need to get riled up. Even though Bridge Lounge may feel like it is nestled into it’s own universe of awesomeness, it is actually closer to Balcony and The Bulldog than you may think. Read the rest of this entry »

I never really liked my job when I was living in Minneapolis.  And, considering I was putting in consecutive 65+ hour weeks at some points, my memory of life in the Twin Cities is unduly influenced by the days I spent doing little more than programming spreadsheets and running HOST reports.  Or the time I was answering to the VP of Merchandising because there had been a run on wiper fluid after a huge fucking snowstorm ripped across the Midwest.  Or the time the guy in the cube next to me wouldn’t stop listening to “Throw Some Ds On It” over and over again for the better part of a month.  Or the time I got gang-raped by a group of supply-chain experts in the cafeteria.

That last part might be a bit inaccurate, but I’ve been out of there for almost a year now, and the mental images and vignettes warehoused during my term are getting hazy and disjointed.  Add to that all the work I have done to actively misremember the unfortunately large part my former employer played in my former life, and my ability to recall many of the great times had while not slaving over a hot keyboard in seizure-inducing florescent lights has been severely compromised.

Luckily, a few things from the Mpls Era have stayed with me, such as:

1. How, when driving over the Hennepin Ave bridge to St. Anthony Main in the early evening, the orangish glow from the setting sun and the Steely Dan blasting from the car stereo made me look 15% more attractive than I actually am
2. That time I caught a Police concert and a Prince concert in the same week
3. Memorial Day of 2007, which was spent cruising around Like Minnetonka at the the helm of a pontoon boat, blasting “Play Deep” by The Outfield. Read the rest of this entry »